music clip of the day

jazz/blues/rock/classical/gospel/more

Category: bass

Wednesday, 3/21/12

career plans for the next life

If none of the other things I’ve mentioned pan out (tap dancer, rubboard player, reggae bassist), I might take a stab at playing guitar in a Malian band.

Salif Keita & Band, live, Germany (Leverkusener), 2010

Part 1

***

Part 2

***

Part 3

More? Here. And here.

**********

lagniappe

reading table

a glimpse of moon
over my home village . . .
then clouds

—Kobayashi Issa, 1807 (translated from Japanese by David G. Lanoue)

*****

taking a break

I’m going to take a little break—back soon.

Saturday, 3/17/12

Listening to this is like surfing: the trick is to catch a wave and ride it.

Charles Gayle Trio,* live, New York (Knitting Factory), 1996

Part 1

***

Part 2

***

Part 3

***

Part 4

More? Here.

*Charles Gayle (piano, tenor saxophone), Gerald Benson (bass), Gerald Cleaver (drums).

Friday, 3/16/12

only rock ’n’ roll

What’s old is new again.

Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11

“I Found You”

***

“Hold On”

**********

lagniappe

Just Like Being There (2012)

Sunday, 3/11/12

Need a lift?

You’ve come to the right place.

Slim and the Victory Aries, live, Paducah, Kentucky, c. 2008

“Alright Now”

***

“Shoes”

**********

lagniappe

musical thoughts

[I]n the African-American gospel tradition, the music is the liturgy. . . . If Jesus spoke in parables because it was hard, otherwise, for him to make clear what he intended, gospel music has a similar form, a parabolic form, as if to suggest: what we want you to know about God is in the shape of this statement, in the experience of singing this music and listening to this music. If you can be transported here, inside the church, by this music, you can be transported out there.

—Rick Moody, “Gospel For Beginners”

Friday, 3/9/12

Happy (82nd) Birthday, Ornette!

Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010

Part 1

***

Part 2

***

Part 3

***

Part 4

***

Part 5

**********

lagniappe

radio

WKCR-FM (Columbia University): all Ornette, all day.

Tuesday, 3/6/12

These folks I could listen to all day—tomorrow too.

Afel Bocoum & Alkibar, live, Netherlands (Hertme), 2010

Part 1

***

Part 2

Monday, 3/5/12

Has there ever been a finer hour of jazz—of music—on TV?

The Sound of Jazz (CBS), 1957*

(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)

*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.

Friday, March 2, 2012

only rock ’n’ roll

Elvis Presley (with Scotty Moore, guitar), TV shows, 1956

“Money Honey”

***

“Heartbreak Hotel”

***

“I Got A Woman”

Thursday, 3/1/12

sounds of joy

Sex Mob,* live, New York (Iridium), 2004

Part 1

***

Part 2

***

Part 3

*Steven Bernstein, slide trumpet; Briggan Krauss, alto saxophone; Tony Scherr, bass; Kenny Wollesen, drums

Monday, 2/27/12

protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967

More? Here. And here. And here.

**********

lagniappe

last night

There’s something in nothing, and we’ll never know what it is.

—Susan Howe, poet, after a performance of Frolic Architecture with composer and musician David Grubbs at the University of Chicago’s Bond Chapel