music clip of the day

jazz/blues/rock/classical/gospel/more

Category: bass

Tuesday, 7/24/12

George Lewis (1952-), “Will to Adorn” (2011)
International Contemporary Ensemble (ICE), Chicago, 2012

[W]hen writing “The Will To Adorn,” Lewis was especially “interested in this idea of adornment—color, color, color everywhere.” The piece represents Lewis’ current musical goal to get “more color energy into the pieces.”

—Joe Bucciero, Columbia Spectator, 11/10/11

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lagniappe

musical thoughts

In February, when I left this concert, which took place on a Sunday afternoon at Chicago’s Museum of Contemporary Art, I felt both exhilarated and wistful. This performance, which had been such a joy to hear, I would never be able to experience again. Or so I thought, until, just the other day, I discovered this recording online. Young people, many of them, anyway, would see nothing remarkable in being able, thanks to the ’net, to return to a musical experience whenever, and wherever, you want. To me it seems a small miracle.

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reading table

I was trying to assert myself as the man in the house, taking charge of things no one could control.

—Richard Ford, Canada (2012)

Sunday, 7/22/12

Dorothy Love Coates (1928-2002), “The Lord Will Answer Prayer,” 1981

More? Here. And here. And here.

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lagniappe

Were gospel to be more publicly acclaimed, she [Dorothy Love Coates] might have the stature of a Billie Holiday or a Judy Garland. Instead, for thousands of black people, she is the message carrier.

—Anthony Heilbut, The Gospel Sound: Good News and Bad Times (6th ed. 2002)

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[I]t was obvious that Keith [Richards] and Gram [Parsons] enjoyed spending time together. . . . [W]e just all cared deeply about the same things. We just loved, for instance, to sit and listen to Dorothy Love Coates, the gospel singer.

—Stanley Booth

(Quotes originally posted 3/28/10.)

Friday, 7/20/12

two takes

Robert Glasper Experiment, “Always Shine” (feat. Lupe Fiasco & Bilal)

TV show (David Letterman), 2/29/12

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Recording, Black Radio (2012)

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lagniappe

musical thoughts

Jazz, classical, R&B: so much great music, no matter the genre, shares a particular quality—density.

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reading table

It’s as if your body were itself a person
And the person wasn’t you.

—Frederick Seidel, “Track Bike” (excerpt), London Review of Books, 7/19/12

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art beat: yesterday at the Art Institute of Chicago (between court hearings at the nearby federal court building)

Willem de Kooning, Untitled XI (1975)

Wednesday, 7/18/12

only rock ’n’ roll

The Wrens, “Happy”

Live, New York (Knitting Factory), 2007

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Recording, The Meadowlands, 2003

One of the best albums of all time.

—my (24-year-old) son Alex, the other day, while playing this track

Friday, 7/13/12

only rock ’n’ roll

A reader writes:

An old friend sent me this Youtube clip of a concert we attended back in high school. At the time I had never heard of Fleetwood Mac or Peter Green.  They were the opening act and, not surprisingly, I have now forgotten who we went to see.

Fleetwood Mac, “Black Magic Woman,” live, Boston (Boston Tea Party), 1970

Monday, 7/9/12

two takes

“Dirt” (D. Alexander, S. Asheton, I. Pop, R. Asheton)

The Stooges
Live, Detroit, 2003

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Neneh Cherry & The Thing
Recording (The Cherry Thing), 2012

Thursday, 7/5/12

Post-holiday blues?

Not for long.

Rahsaan Roland Kirk (saxophones), with McCoy Tyner (piano), Stanley Clark (bass) and Lenny White “drums,” “Pedal Up,” TV show (introduced by Quincy Jones), 1975

(Later note: When I posted this clip, I didn’t know there’d be all these commercials. You can skip the junk here.) 

Monday, 7/2/12

joy, n. looking for something else and happening upon this.

Jack DeJohnette’s Special Edition (JD, drums; Rufus Reid, bass; Marty Erlich, bass clarinet; John Purcell, alto saxophone; Howard Johnson, tuba, baritone saxophone), live, Poland (Warsaw), 1983

Part 1

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Part 2

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Part 3

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Part 4

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lagniappe

reading table

First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later. The robbery is the more important part, since it served to set my and my sister’s lives on the courses they eventually followed. Nothing would make complete sense without that being told first.

Our parents were the least likely two people in the world to rob a bank. They weren’t strange people, not obviously criminals. No one would’ve thought they were destined to end up the way they did. They were just regular—although, of course, that kind of thinking became null and void the moment they did rob a bank.

—Richard Ford, Canada (2012)

Saturday, 6/30/12

only rock ’n’ roll

Joy Division, live (TV show), England, 1979

“Transmission”

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“She’s Lost Control”

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lagniappe

musical thoughts

On any given day—today, for instance—how many dozens, hundreds, thousands, millions of people will be making, or listening to, music?

Thursday, 6/28/12

Today, for our 1,000th post, we revisit a few favorites—more tomorrow.

Junior Wells (vocal and harmonica), Buddy Guy (guitar), “Cryin’ Shame” (AKA “Country Girl”), live, Chicago, 1970 (Chicago Blues)

(Originally posted 7/8/10.)

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Buddy Guy, “Let Me Love You Baby,” live, 1960s

(Originally posted 3/12/10.)

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Magic Sam, “All Your Love,” “Lookin’ Good”
Live, Germany, 1969

(Originally posted 11/21/09.)

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Hound Dog Taylor & The Houserockers (Brewer Phillips, guitar; Ted Harvey, drums), “Sadie,” live, Ann Arbor Blues Festival, 1973

(Originally posted 4/29/11.)