Michael Zerang and the Blue Lights (MZ, drums; Mars Williams, alto saxophone; Dave Rempis, baritone saxophone; Josh Berman, cornet; Kent Kessler, bass), live, Chicago (Hideout), 2013
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lagniappe
reading table
Now, in general, Stick to the boat, is your true motto in whaling; but cases will sometimes happen when Leap from the boat, is still better.
Lucid, supple, propulsive: This stuff I could listen to all day.
Steve Lehman Octet (SL, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Jeremy Viner, tenor saxophone; Jose Avila, tuba; Chris Dingman, vibraphone; Drew Gress, bass; Tyshawn Sorey, drums)
D’Angelo and The Soultronics (Questlove, drums; Pino Palladino, bass; Chalmers “Spanky” Alford, guitar; Frank Lacy, trombone, trumpet; Anthony Hamilton, vocals, et al.), “Send It On,” live, London, 2000
Last night this woman, who died of cancer in 2006, was very much alive, singing Bach on the radio.*
Johann Sebastian Bach, “Ich Habe Genug” (“I Have Enough,” church cantata), Lorraine Hunt Lieberson (1954-2006), 2003
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lagniappe
Christmas, 1948
Charlie Parker (alto saxophone), Kenny Dorham (trumpet), Al Haig (piano), Tommy Porter (bass), Max Roach (drums), “White Christmas,” live, New York (Royal Roost), 12/25/48
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*WKCR-FM (Columbia University), Bach Festival, through New Year’s Eve.
Cormac McCarthy, particularly in a book like Blood Meridian, is writing an English very remote from our own. It’s more like the King James Bible on acid, right?
—David Foster Wallace (1962-2008), in Quack This Way: David Foster Wallace & Bryan A. Garner Talk Language and Writing (2013)
Jim Hall, guitarist, December 4, 1930-December 10, 2013
With Joe Lovano (tenor saxophone), “In a Sentimental Mood” (D. Ellington), live, Italy (Umbria Jazz Festival), 1996
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With Bill Evans (piano), Undercurrent (“My Funny Valentine,” “I Hear a Rhapsody,” “Dream Gypsy,” “Romain,” “Skating in Central Park,” “Darn that Dream,” “Stairway to the Stars,” “I’m Getting Sentimental Over You”), 1962
When I was in college in the early ’70s, this album was a frequent late-night companion. Since then I’ve listened to it more times than I could count. It never grows old.