music clip of the day

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Category: bass

Tuesday, May 31st

Need a lift?

Angelika Niescier (alto saxophone), Ralph Alessi (trumpet), Florian Weber (piano), Chris Tordini (bass), Tyshawn Sorey (drums), “The Barn Thing” (A. Niescier), live, Germany (Krefeld), 2013


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lagniappe

art beat: other day, Art Institute of Chicago 

Aaron Siskind (1903-1991), Martha’s Vineyard Rocks 127B 1954 (Abstractions, through 8/14/16)

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Monday, May 30th

Vancouver folkie + iconic Memphis rhythm section.

This should never have worked.

But it does, wonderfully.

Frazey Ford, “September Fields” (Indian Ocean), 2014


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lagniappe

reading table

The climate is pretty.
I wrote everything on it.
That’s the activity where it
gets relatively inauspicious.

***

And you were sitting there
in the night of life. It sure was good.
My favorite desserts were there.
And when they invite you, it’s like an important document
goes missing. I’ll give you an example:
a twelve-year struggle upstate, in
the slick atmosphere of the breakfast room.
It might have gotten stuck in her farthingale.

Otherwise no reply.

—John Ashbery (1927-), “As Someone Who Likes Travel,” fragments (New Yorker, 5/30/16)

To read Ashbery is to read English as a foreign language—which I mean as a compliment.

Wednesday, May 25th

Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.

Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*


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lagniappe

reading table

dripping from the flower vendor’s
display
morning dew

—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)

*****

*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).

Sunday, May 22nd

old school

Tommy Ellison & The Singing Stars, “I’m Not the Same Person,” live, Hempstead, N.Y., 2007


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lagniappe

reading table

I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.

—Trumbull Stickney (1874-1904), “Dramatic Fragments,” excerpt

*****

random sights

yesterday morning, Chicago (Columbus Park)

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Thursday, May 12th

sounds of New York

Music is, in part, a function of place. Can you imagine these sounds coming out of San Diego?

Charles Gayle Trio (CG, tenor saxophone, piano; Larry Roland, bass; Michael Wimberly, drums), live, Germany (Cologne), 2012


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lagniappe

reading table

It might be lonelier
Without the Loneliness –

—Emily Dickinson (1830-1886), 535 (Franklin), fragment

Tuesday, May 10th

never enough

What do I watch when he’s at the piano? His feet.

Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live, France (Amiens), 1966


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lagniappe

reading table

Thought forms in the soul in the same way clouds form in the air.

—Joseph Joubert (1754-1824), 1786 (The Notebooks of Joseph Joubert, translated from French by Paul Auster)

(Thanks to Orange Crate Art for introducing me to Joubert.)

Friday, April 29th

only rock ‘n’ roll

Dog Faced Hermans, live, Lincoln, Neb., 1994


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lagniappe

art beat: yesterday, Art Institute of Chicago

Vincent van Gogh, A Corner of the Asylum and the Garden with a Heavy, Sawed-Off Tree, 1889 (Van Gogh’s Bedrooms, through May 10th)

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Tuesday, April 26th

14 strings + drums

Tomeka Reid Quartet (TR, cello, compositions; Mary Halvorson, guitar; Jason Roebke, bass; Tomas Fujiwara, drums), live, New York, 3/8/16


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

FullSizeRender (70)

Wednesday, April 20th

More.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1


#2


#3


*****

Henry Threadgill and His Very Very Circus
“Too Much Sugar for a Dime,” live, New York, 1995


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lagniappe

random sights

this morning, Oak Park, Ill.

FullSizeRender (66)

Monday, April 18th

Feel like floating?

Music for Airports, “1/1” (B. Eno, R. Davies, R. Wyatt), 1978; Bang on a Can All-Stars, live (arr. Michael Gordon), San Diego Airport, 2015


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lagniappe

reading table

To a Snail
By Marianne Moore (1887-1972)

If “compression is the first grace of style,”
you have it. Contractility is a virtue
as modesty is a virtue.
It is not the acquisition of any one thing
that is able to adorn,
or the incidental quality that occurs
as a concomitant of something well said,
that we value in style,
but the principle that is hid:
in the absence of feet, “a method of conclusions”;
“a knowledge of principles,”
in the curious phenomenon of your occipital horn.