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Category: bass

Tuesday, June 21st

never enough

Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), “Rhythm-a-Ning” (T. Monk), live, London, 1966

Saturday, June 11th

There’s Amsterdam.

There’s Ethiopia.

And there’s Amsterdam in Ethiopia.

The Ex & Han Bennink (drums), Ethiopia, 2002

Friday, June 10th

voices I miss

Albert Collins (1932-1993), live, Switzerland (Montreux), 1979


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lagniappe

art beat: other day, Art Institute of Chicago 

Aaron Siskind (1903-1991), Chicago 28 1957 (Abstractions, through 8/14/16)

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*****

tonight in Chicago

The Chicago Blues Festival celebrates the 45th anniversary of Alligator Records, where, in the ’70s, barely out of college, I had the good fortune to co-produce recordings by Albert Collins, Koko Taylor, Son Seals, Fenton Robinson, Jimmy Johnson, Carey Bell, et al.

Tuesday, June 7th

like nobody else

Leroy Jenkins Gut Band (LJ [1932-2007] violin, compositions; Brandon Ross, guitar; David Wong, bass; Newman Taylor Baker, drums), live, New York, 2000

Tuesday, May 31st

Need a lift?

Angelika Niescier (alto saxophone), Ralph Alessi (trumpet), Florian Weber (piano), Chris Tordini (bass), Tyshawn Sorey (drums), “The Barn Thing” (A. Niescier), live, Germany (Krefeld), 2013


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lagniappe

art beat: other day, Art Institute of Chicago 

Aaron Siskind (1903-1991), Martha’s Vineyard Rocks 127B 1954 (Abstractions, through 8/14/16)

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Monday, May 30th

Vancouver folkie + iconic Memphis rhythm section.

This should never have worked.

But it does, wonderfully.

Frazey Ford, “September Fields” (Indian Ocean), 2014


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lagniappe

reading table

The climate is pretty.
I wrote everything on it.
That’s the activity where it
gets relatively inauspicious.

***

And you were sitting there
in the night of life. It sure was good.
My favorite desserts were there.
And when they invite you, it’s like an important document
goes missing. I’ll give you an example:
a twelve-year struggle upstate, in
the slick atmosphere of the breakfast room.
It might have gotten stuck in her farthingale.

Otherwise no reply.

—John Ashbery (1927-), “As Someone Who Likes Travel,” fragments (New Yorker, 5/30/16)

To read Ashbery is to read English as a foreign language—which I mean as a compliment.

Wednesday, May 25th

Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.

Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*


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lagniappe

reading table

dripping from the flower vendor’s
display
morning dew

—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)

*****

*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).

Sunday, May 22nd

old school

Tommy Ellison & The Singing Stars, “I’m Not the Same Person,” live, Hempstead, N.Y., 2007


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lagniappe

reading table

I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.

—Trumbull Stickney (1874-1904), “Dramatic Fragments,” excerpt

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random sights

yesterday morning, Chicago (Columbus Park)

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Thursday, May 12th

sounds of New York

Music is, in part, a function of place. Can you imagine these sounds coming out of San Diego?

Charles Gayle Trio (CG, tenor saxophone, piano; Larry Roland, bass; Michael Wimberly, drums), live, Germany (Cologne), 2012


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lagniappe

reading table

It might be lonelier
Without the Loneliness –

—Emily Dickinson (1830-1886), 535 (Franklin), fragment

Tuesday, May 10th

never enough

What do I watch when he’s at the piano? His feet.

Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live, France (Amiens), 1966


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lagniappe

reading table

Thought forms in the soul in the same way clouds form in the air.

—Joseph Joubert (1754-1824), 1786 (The Notebooks of Joseph Joubert, translated from French by Paul Auster)

(Thanks to Orange Crate Art for introducing me to Joubert.)