Saturday, April 20th
timeless
Wailers (Bob Marley, vocals, guitar; Peter Tosh, vocals, guitar; Bunny Wailer, vocals, percussion, et al.), “Stir It Up” (B. Marley), live (studio), London, 1973
timeless
Wailers (Bob Marley, vocals, guitar; Peter Tosh, vocals, guitar; Bunny Wailer, vocals, percussion, et al.), “Stir It Up” (B. Marley), live (studio), London, 1973
sounds of New York
We Free Strings,* live New York, 1/18/19
*Melanie Dyer, viola; Charles Burnham, violin; Gwen Laster, violin; Alex Waterman, cello; Ken Filiano, bass; Michael Wimberly, percussion.
No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.
Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978
**********
lagniappe
reading table
How many poems have gotten so much attention with so few words?
so much depends
upona red wheel
barrowglazed with rain
waterbeside the white
chickens—William Carlos Williams (1883-1963), “The Red Wheelbarrow”
what’s new
The Pedrito Martinez Group (PM, percussion, lead vocals; Sebastian Natal, electric bass, vocals; Jhair Sala, percussion, vocals; Issac Delgado Jr., keyboards, vocals), “Tuvé Una Revelación,” live, Washington, D.C., 2/20/19
**********
lagniappe
random sights
Oak Park, Ill, this morning
*****
random thoughts
March!
Here, rehearsing, is the most influential pianist in jazz of the last fifty years.
Bill Evans (piano, 1929-1980), Eddie Gomez (bass), Alex Riel (drums), live, Denmark (Copenhagen), 1966
**********
lagniappe
musical thoughts
The ‘open’ voicings that Evans used [i.e., leaving out a chord’s root note] were not new . . . . They had been there in ‘classical’ music since the early part of the century, since Bartok and Stravinsky. But they were new to jazz, and they opened up melody and flow in new ways.
—Martin Williams, The Jazz Tradition (2d ed. 1983)
*****
Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.
—Miles Davis, Miles: The Autobiography (with Quincy Troupe, 1989)