music clip of the day

jazz/blues/rock/classical/gospel/more

Category: bass

Thursday, 3/31/11

basement jukebox*
(an occasional series)

Fontella Bass, “Rescue Me” (1965)

Vodpod videos no longer available.

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Tyrone Davis, “Can I Change My Mind” (1969)

Vodpod videos no longer available.

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Otis Clay, “The Only Way Is Up” (1980)

Vodpod videos no longer available.

*When I was a little boy, a big bright shiny jukebox lit up our basement. Daily it granted our wishes, communicated with just the touch of a finger, for “Wake Up, Little Susie” (Everly Brothers) and “The Battle of New Orleans” (Johnny Horton) and “(The Man Who Shot) Liberty Valance” (Gene Pitney). It taught me something I’ve never forgotten—music is magic.

Monday, 3/28/11

four takes

“Everybody Needs Love” (Eddie Hinton)

Drive-By Truckers, live, Ashland, North Carolina, 2010

Vodpod videos no longer available.

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Eddie Hinton, live, c. 1982

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Eddie Hinton, recording, 1982

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Drive-By Truckers, live (TV broadcast [Conan]), 3/8/11

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lagniappe

overheard

Sunday morning, on a plane from Chicago to Boston, a young girl in the row in front of me:

I just don’t get how air is bumpy.

***

Do people in Boston have accents?

Sunday, 3/27/11

For some folks singing is as vital as breathing.

Five Star Jubilee Singers, Harriman Junction, Tennessee
Live, “I’ve Been Changed,” “Go Down Moses,” “I’m Just Keeping It Real,” “Open the Floodgates to Heaven,” 2008

Vodpod videos no longer available.

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lagniappe

It’s a Friday night in downtown Harriman, and inside the Anointed Praise and Worship Church, the Five Star Jubilee Singers are playing like it’s already Sunday morning.

On drums is Anterrio Ray, 33, an ex-Golden Gloves boxer whose first drum set was a five-gallon bucket and a set of hubcaps. Playing electric bass is Antonio Myers, and that’s his father, Gary Myers, singing four-part harmony with the rest of the band.

They’re an extended family, this nine-member gospel group. When lead vocalist, David Bertram, 60, grabs the microphone, the music kicks in to overdrive. It’s only a rehearsal, but by the third song, Bertram is wiping his brow with a handkerchief.

“With traditional gospel music, you either get saved, or you head for the door,” says vocalist Melinda Bertram, David’s wife. “The Lord is not going to let you just sit there.”

The Five Star Jubilee Singers perform quartet-style harmonies, with electric guitars and drums thrown into the mix. Their style and repertory recall such great black gospel groups as the Swan Silvertones, the Soul Stirrers and the Five Blind Boys of Mississippi. They’ve been playing in and around Harriman for more than 50 years, making them one of the longest-running gospel acts in the region.

During the 1950s, the original Five Star Jubilee Singers won national singing conventions and toured extensively throughout the Southeast.

Today, the group sings at churches and revivals across East Tennessee, for congregations both black and white.

Bertram started singing with the Five Star Jubilee Singers when he was 12 years old. At 18 he moved up North and spent the next 30 years singing professionally with several gospel groups. In 1970, after moving back to Harriman, he convinced the Five Star Jubilee Singers to reunite.

Almost every member of the Five Star Jubilee Singers is related to someone from the original band. Bertram’s older brother, Thurman, was a founding member of the group, as was David Goins. Both these band members are now dead, as is Freeman Goins, David Goins’ younger brother, who died of a heart attack on June 27, 2007, while returning home from a rehearsal.

Every Friday night the band rehearses at the Anointed Praise and Worship Church in Harriman. Arlene Goins, 68, plays electric guitar, and so does her son, William Wright, 42. Including the bass, the Five Star Jubilee Singers have four electric guitars, the newest player being John Dye, of Clinton, Tenn., who joined the group as a rock guitarist.

***

“Our main thing is to get people to come to Jesus,” added David. “I’m going to do this till I lay down. I’m going to sing till He calls me.”

—Morgan Simmons, Knoxville News Sentinel, 3/26/08

Saturday, 3/26/11

The notes are easy enough to replicate—the touch impossible.

Pinetop Perkins (piano, vocals), July 7, 1913-March 21, 2011

“Grindin’ Man” (with Willie “Big Eyes” Smith, harmonica), live, New Jersey (New Brunswick), 2008

Vodpod videos no longer available.

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“How Long Blues,” live

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lagniappe

He was one of the last great Mississippi Bluesmen. He had such a distinctive voice, and he sure could play the piano. He will be missed not only by me, but by lovers of music all over the world.

—B.B. King

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If you don’t want to die, don’t be born.

—Red Paden, owner of Red’s Blues Club, Clarksdale, Mississippi

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my back pages

Many years ago I had the pleasure of working with him, co-producing his tracks on Living Chicago Blues, Vol. 2 (Alligator 1978). Warm, amiable, unassuming—he was easy to like.

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listening room: what’s playing

• Ornette Coleman, Town Hall 1962

• Mos Def, The Ecstatic

• Lupe Fiasco, Lasers

• Steve Reich, Double Sextet, 2×5

• Rudresh Mahanthappa & Bunky Green, Apex

• Nneka, Concrete Jungle

• Theo Parrish, Sound Sculptures, Vol. 1

• Powerhouse Gospel On Independent Labels, 1946-1959

• WFMU-FM: Sinner’s Crossroads (Kevin Nutt), Mudd Up! (DJ/rupture)

• WKCR-FM: Bird Flight (Phil Schapp), Jazz Alternatives (various), Out To Lunch (various), Western Swing Festival (various)

Friday, 3/18/11

Original?

Nah.

But, uh, who cares?

The Hives, “Hate To Say I Told You So,” live, France (Belfort), 6/30/07

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Many of my most vivid musical experiences were the product of serendipity. A few years ago, I spent a long weekend in Oxford, Mississippi, where, as it turned out, these guys had just finished recording an album. Saturday night, as a farewell, they played a little club off the Square. Floor-rumbling, bone-rattling loud they were—and a whole lotta fun.

Proud Larry’s, Oxford, Mississippi

*****

Wednesday, 3/16/11

If I could dance like this, I’d never sit down.

Geri Allen Quartet (GA, piano; Kenny Davis, bass; Kassa Overall, drums; Maurice Chestnut, tap percussionist), “Philly Joe,” live, Detroit, 2009

Vodpod videos no longer available.

More? Here.

Tuesday, 3/15/11

Big Jack Johnson, July 30, 1940-March 14, 2011

Live (Deep Blues, 1992)

“Catfish Blues”

Vodpod videos no longer available.

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“Daddy, When Is Mama Coming Home”

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lagniappe

art beat

American Modern: Abbott, Evans, Bourke-White
Art Institute of Chicago (through 5/15/11)

Walker Evans, Barbershops, Vicksburg, Mississippi (1936)

Friday, 3/11/11

Don’t try to tell me there’s anything incongruous—anything at all—in loving Beethoven and loving Chopin and loving Del Shannon.

Del Shannon, December 30, 1934-February 8, 1990

“Runaway” (with Burton Cummings [Guess Who], piano), 1982

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“I Go To Pieces,” 1988 (?)

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“Sea of Love,” 1982

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lagniappe

mail

One of the best ever [Ornette Coleman, 3/9/11].

I am so glad I am on this list!!

Wednesday, 3/9/11

Happy (81st) Birthday, Ornette!

His sound—his whole approach (simple melodies, vocal phrasing, off-center intonation)—is drenched in the blues.

Ornette Coleman (alto saxophone) with The Roots
Live, London (Meltdown Festival), 2009

#1

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#2

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The tenor player at the end—that’s David Murray.

More Ornette? Here.

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lagniappe

radio

What am I listening to today?

That’s easy—WKCR-FM (broadcasting from Columbia University), where it’s all Ornette all day.

Saturday, 3/5/11

replay: clips too good for just one day

The other night, after falling asleep, my older son Alex (now 22) had an unexpected visitor—this guy showed up and began to play.

Vijay Iyer Trio (VI, piano; Marcus Gilmore, drums; Stephan Crump, bass)

“Galang,” recording session (Historicity), New York (Systems Two Studios), 2009

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“Questions of Agency,” live, New York (The Stone), 2007

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Playing and Talking about Historicity, 2009

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lagniappe

Presto! Here is the great new jazz piano trio.

—Ben Ratliff,  New York Times (9/9/09)

(Originally posted 6/30/10.)

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take two (or is it one?)

Following up on Vijay Iyer’s take (6/30/10), here’s the original.

M.I.A., “Galang” (2005)

One of the things I love about M.I.A. is that she doesn’t let any of the usual stuff get in her way. Take her dancing, for instance: she’s, uh, not real good at it—at least not by the usual standards. Does that stop her? Nah.

(Originally posted 7/2/10.)