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Category: bass

Monday, July 4, 2011

Happy Birthday, Pops!*

Louis Armstrong, “Basin Street Blues” (three takes)

#1 (live, 1959, Germany [Stuttgart])

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#2 (live, 1953, New Orleans)

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#3 (recording, 1928, Chicago)

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lagniappe

more

Louis Armstrong & His Hot Five, “West End Blues,” 1928, Chicago

*****

radio

The federal government, in its wisdom, gives you the day off so you can listen to Louis Armstrong.

—Phil Schaap, 7/2/11, Traditions in Swing, WKCR-FM
(broadcasting from Columbia University), which today is all Pops, all day 

*****

reading table

Summer afternoon — summer afternoon; to me those have always been the two most beautiful words in the English language.

—Henry James

*Louis Armstrong gave July 4th as his birthday, something that was determined, after his death, not to be true—at least not literally.

Wednesday, 6/29/11

Certain musicians never let me down. They always lift my spirits.
This guy’s one.

Hamid Drake (drums) & Bindu, live, Finland (Tampere), 2010

Vodpod videos no longer available.

More? Here. And here.

Sunday, 6/26/11

two takes

The Mighty Clouds of Joy, “I Made A Step,” live

Switzerland (Montreux Jazz Festival), 1981

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Nashville, 2005

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More? Here. And here.

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lagniappe

Greatest musical intersection in the world?

Chicago’s South Side, W. 36th St. (Honorary Sam Cooke Way, as of this month) and S. Cottage Grove Ave. (Honorary Albertina Walker & The Caravans Drive)

Photo credit: Bob Marovich, The Black Gospel Blog

Saturday, 6/25/11

nadir, n. the lowest point.

On July 29, 1946, Charlie Parker was arrested in Los Angeles, after starting a fire in his hotel room. Earlier that day, unable to score heroin, scratchy, drunk on whiskey, he recorded this track, which, depending on your point of view, is either one of the worst records he ever made (Parker’s view) or, despite (because of?) its raggedyness, among the greatest (Charles Mingus’s opinion). After his arrest he was confined, for six months, at Camarillo State Mental Hospital.

Charlie Parker, “Lover Man” (CP, alto saxophone; Howard McGhee, trumpet; Jimmy Bunn, piano; Bob Kesterson, bass; Roy Porter, drums), rec. 7/29/46

More? Here.

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lagniappe

rewarding the deserving

So often, it seems, when arts awards are announced, my initial reaction is: “Huh?” Not this time. The National Endowment of the Arts just announced their 2012 Jazz Masters Awards, which recognize, with Lifetime Honors, “living musicians for career-long achievement.” And the winners are Jack DeJohnette, Jimmy Owens, Charlie Haden, Sheila Jordan, and Von Freeman.

*****

reading table

The cafeteria in the hospital’s basement was the saddest place in the world, with its grim neon lights and gray tabletops and the diffuse forboding of those who had stepped away from suffering children to have a grilled cheese sandwich.

***

The next day, I set up an iPod dock and played music, not only in the willfully delusional belief that music would be good for a painful, recovering brain but also to counter the soul-crushing hospital noise: the beeping of monitors, the wheezing of respirators, the indifferent chatter of nurses in the hallway, the alarm that went off whenever a patient’s condition abruptly worsened.

***

One early morning, driving to the hospital, I saw a number of able-bodied, energetic runners progressing along Fullerton Avenue toward the sunny lakefront, and I had a strong physical sensation of being in an aquarium: I could see out, the people outside could see me (if they chose to pay attention), but we were living and breathing in entirely different environments.

—Aleksandar Hemon, “The Aquarium: A Child’s Isolating Illness” (behind a paywall), New Yorker, 6/13 & 20/2011

Friday, 6/24/11

only rock ’n roll
(an occasional series)

Hasil Adkins with SCOTS (Southern Culture on the Skids), “Hubcap Hunch”
Live, Sleazefest, Chapel Hill, North Carolina, 1994

Vodpod videos no longer available.

Wednesday, 6/22/11

His blues seem bottomless.

Arnett Cobb, tenor saxophonist, August 10, 1918-March 24, 1989

“Texas Blues,” live (with Ellis Marsalis, piano; Chris Severin, bass; Johnny Vidacovich, drums), 1984, New Orleans

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“The Nearness of You” (mislabeled “Misty” on YouTube), live (with Wild Bill Davis, piano; Bernard Upsom, bass; Frankie Dunlop, drums), 1982, Germany (Berlin)

Vodpod videos no longer available.

One of my favorite moments comes at 2:48: “I hear ya, I hear ya.”

Monday, 6/20/11

Here’s another take on the blues.

Ben Webster Quartet (BW, tenor saxophone; Stan Tracey, piano; Rick Laird, bass; Jackie Dougan, drums), “Poutin’,” live

Vodpod videos no longer available.

More? Here. And here. And here.

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lagniappe

Sonny Rollins, Joe Lovano, et al., talk about Ben Webster

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*****

mail

You are sending out some great stuff at all times. . . . It’s always interesting, and the one you sent out today, Onmutu Mechanicks, was especially cool, since I hadn’t ever crossed their path.

Sunday, 6/19/11

Gospel, soul, blues—sometimes they seem inseparable.

Willie Banks and The Messengers, live, Mississippi (Jackson), 1990

“Things I Can’t Change”

***

“God Is Still In Charge”

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lagniappe

listening room: what’s playing

Talib Kweli, Gutter Rainbows (Javotti Media/3d)

Art Ensemble of Chicago, Full Force (ECM)

Anthony Braxton Quartet, (GTM) 2006 (Important Records)

John Coltrane (with Rashied Ali), Interstellar Space (Impulse!)

The Lester Young/Count Basie Sessions (1936-1940) (Mosaic)

• Various Artists, Ska Bonanza: The Studio One Ska Years (Heartbeat)

Stefan Wolpe: Compositions for Piano (1920-1952), David Holzman, piano (Bridge)

• Ann Southam: Simple Lines of Enquiry, Eve Egoyan, piano (Centrediscs)

Morton Feldman, For Bunita Marcus, Stephane Ginsburgh, piano (Sub Rosa); John Tilbury, piano, Morton Feldman, All Piano (London HALL)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Out to Lunch (Various, jazz)
Jazz Profiles (Various, jazz)
Jazz Alternatives (Various, jazz)
Afternoon New Music (Various, classical and hard-to-peg)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Rag Aur Taal (Various, Indian)
Morning Ragas (Various, Indian)
Amazing Grace (Various, gospel)
Live Constructions (Various, hard-to-peg)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)
Daniel Blumin (sui generis)
Airborne Event (Dan Boodah, sui generis)
The Push Bin with Lou (Lou Z., sui generis)

*****

art beat

One of the great things about having friends is that they invite you to things you’d never get to, or even know about, otherwise—like, for instance, this wonderful exhibit of illustrated architecture books (dating from 1511), something I wouldn’t have gotten to but for my friend Bob Blythe.

Friday, 6/17/11

only rock ’n roll
(an occasional series)

The Dirtbombs, “Stop,” New Jersey (Asbury Lanes, Asbury Park), c. 2007

Vodpod videos no longer available.

Anybody can play in tune.

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lagniappe

reading table

welcoming in loads
of new year’s rain . . .
trashy house

—Kobayashi Issa (1763-1827), trans. David G. Lanoue

Thursday, 6/9/11

kaleidoscopic, adj. 1. changing form, pattern, color, etc., in a manner suggesting a kaleidoscope. 2. continually shifting from one set of relations to another. E.g., the music of the Art Ensemble of Chicago.

Art Ensemble of Chicago (Roscoe Mitchell, saxophone; Joseph Jarman, saxophone; Lester Bowie, trumpet; Malachi Favors, bass; Don Moye, drums), live, Europe, 1980s

Part 1

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One of my all-time favorite musicians—no matter the instrument, no matter the genre—is the guy playing bass. If I’m feeling down, he lifts me up. If I’m feeling good, he makes things even better.

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Part 2

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How many trumpeters play so many different colors?

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Part 3

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Part 4

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Part 5

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Part 6

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Avant-garde? Their use of polyphony recalls the earliest New Orleans jazz.

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Part 7

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How many musicians not only roam so widely but swing so hard?

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lagniappe

more

Art Ensemble of Chicago with Fontella Bass, “Theme de Yoyo” (1970)

More? Here.