music clip of the day

jazz/blues/rock/classical/gospel/more

Category: Africa

Saturday, May 30th

sounds of Niger

Mdou Moctar, “à la maison,” live, Niger (Ingall), 2013

 

**********

lagniappe

reading table

Neither question nor assertion makes sense / when truth is a tone of voice.

—Karen Solie, “Interior” (The Road In Is Not the Same Road Out)

 

Wednesday, April 22nd

sounds of South Africa

Fantasma, “Basbizile,” live, London, 2015

***

Another take (Free Love, 2015)

Tuesday, April 21st

sounds of Malawi

The Very Best with Mafalika, “Let’s Go,” live, Malawi (Kumbali Village), 2/15


***

Another take (Makes a King, 4/15)

Thursday, March 26th

These guys I could listen to all day.

Kelin-Kelin’ Orchestra (with Brice Wassy, drums, vocals), “Me Feeh” (B. Wassy), live, Paris, 2013

Tuesday, February 10th

more sounds of Mali

Toumani Diabate (kora), live, India (New Delhi), 2011


**********

lagniappe

random thoughts

If today is the answer, what is the question?

*****

taking a break

I’m taking some time off—back in a while.

Friday, February 6th

sounds of Mali (day four)

Tinariwen, live, Paris, 2011


**********

lagniappe

reading table

It was what it might have been to be alive, but tenderly.

—Lucie Brock-Broido, “A Meadow” (Stay, Illusion)

Thursday, February 5th

sounds of Mali (day three)

Ballake Sissoko (kora) and Vincent Segal (cello), live, Washington D.C., 2011


**********

lagniappe

random thoughts

Perpetual astonishment is one plausible response to being alive in this world. Abject despair is another. The list goes on.

Wednesday, February 4th

sounds of Mali (day two)

Trio Da Kali and Kronos Quartet, “Diaraby,” live, University of Maryland, 2014

Tuesday, February 3rd

sounds of Mali (day one)

Africa Express, “Terry Riley’s in C Mali,” 2013-15

 

I am overwhelmed and delighted by this CD. I was not quite prepared for such an incredible journey, hearing the soul of Africa in joyous flight over those 53 patterns of ‘In C’. This ensemble feeds the piece with ancient threads of musical wisdom and humanity indicating to me that this work is a vessel ready to receive and be shaped by the spontaneous feelings and colours of the magician/musician. I could not ask for a greater gift for this daughter’s 50th birthday.

Terry Riley (1935-)