music clip of the day

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Category: Africa

Thursday, 7/15/10

Music can be made anywhere—a street corner, a subway station, even a bathroom.

Shiyani Ngcobo

“The Bathroom Recordings,” live, France (Nantes), 1997

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“Izinyembezi” (Introducing Shiyani Ngcobo [2004])

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lagniappe

I’d like to make a plea for a new concept—elastic precision.  It’s what [South African musician] Shiyani Ngcobo has, and what so many musicians have: an absolutely determined (in both senses of the word) and precise groove, with infinite, fractal variants that relate to what comes before and after. . . . Perfection may be infinitely seductive, but it’s the flaws and differences that make the beauty.

—Ben Mandelson, liner notes, Introducing Shiyani Ngcobo (2004)

Saturday, 6/12/10

replay: a clip too good for just one day

With some music, it’s the particular sound a musician coaxes out of his instrument that gets under your skin. Here’s one of the dirtiest, snakiest electric guitar sounds around.

Group Doueh (featuring Baamar Salmou AKA Doueh on electric guitar), live, Western Sahara

(Originally posted October 29, 2009.)

Tuesday, May 25, 2010

more music from Mali

Bassekou Kouyate (ngoni) & Ngoni ba

“Ngoni fola” (2007)

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Live, Mali (Timbuktu), 2010

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Live, Germany (Rostock), 2007

Monday, May 24, 2010

music from Mali

Sometimes the groove is so deep and so wide and so relaxed that, even if someone’s talking over it in a language you don’t understand at all, you just want to lie down in it and stay there.

Ali Farka Toure, guitar and vocals, “Ai du”

Thursday, 3/4/10

Imagine that, one day, all the music you’ve ever heard in your life disappeared from the world.

How much music would remain?

Saturday, 2/27/10

It used to be that music came from a particular place. No more. Whether it’s Sohrab Saadat Ladjevardi (the Iranian saxophonist who’s lived in Germany, in Japan, and now in New York City [2/18/10]), or Burkina Electric (whose members come from Burkina Faso, from Germany, and from New York City [by way of Austria] [2/22/10]), or this singer, who’s lived (and has homes) in Nigeria and in Germany, much of today’s most intriguing music has its ears and heart and feet on more than one continent.

Nneka, “Heartbeat”

Take 1: recording/video

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Take 2: live, Philadelphia, 2009

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Take 3: J. Period Remix, featuring Talib Kweli

Monday, 2/22/10

Digital Africa is here . . . —DJ Spooky

Burkina Electric (Mai Lingani, vocals; Wende K. Blass, guitar, vocals; Lukas Ligeti [son of composer Gyorgy Ligeti], electronics, drums; Pyrolator [Kurt Dahlke], electronics), “Sankar Yaare”

Take 1: DJ Spooky Remix

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Take 2: Mapstation Remix

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lagniappe

Marilyn Monroe, DJ Andy Warhol Remix

Thursday, 2/4/10

Is any label more irritating, or useless, than “world music”?

Toumani Diabate, kora

“Cantelowes,” live, Spain (Seville), 2008

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Talking & Playing

Monday, 1/11/10

Here’s another guitarist who, like Pete Cosey (12/31/09), doesn’t run with the herd.

Ronnie, live, Botswana

(Yo, Don: Thanks for the tip!)

Tuesday, 12/8/09

When melody’s felt rhythmically, and rhythm melodically, you don’t need drums for the music to dance.

Oran Etkin’s Group Kelenia (Oran Etkin, clarinet; Makane Kouyate, percussion; Lionel Loueke, guitar; Joe Sanders, bass), live (radio recording session), New York, 2009

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