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Category: Africa

Saturday, 2/19/11

Listen yesterday; go today.

Burkina Faso: Life & Music in West Africa (2007)

Vodpod videos no longer available.

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lagniappe

According to the guidebook, Burkina Faso is one of the poorest countries in the world, but in our experience its people seemed confident and proud of their culture in this 50th anniversary of independence from French colonial rule. Deep red dust carpets the country, kicked up by the mopeds that crisscross the rutted ground and buy markets lining nearly every street. Yet through the coating of dust the people always look impeccably elegant.

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In Burkina, the sun drops away at 7 p.m. sharp. When we returned for the concert, we saw scores of parked mopeds glistening under the full moon., and hundreds of people queuing outside the high crumbling walls enclosing the open air theatre. Inside, beyond the light cast rom the state, a huge crowd bustled quietly in the darkness otherwise shrouding the vast auditorium. Families with children of all ages filled the wooden benches, and here too traders plied bronze jewellery and leather goods around the perimeter.

—Trevor Watts, The Wire, 3/11

Friday, 2/18/11

We are all from everywhere . . .

—Mai Lingani

Burkina Electric (with Mai Lingani, vocals; Wende K. Blass, guitar; Pyrolator [Kurt Dahlke], electronics; Lukas Ligeti [son of composer Gyorgy Ligeti], electronics, drums)

Live, Middletown, Connecticut (Wesleyan University), 2010

#1

Vodpod videos no longer available.

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#2

Vodpod videos no longer available.

More? Here.

Tuesday, 2/15/11

She’s going to be a big star someday.

Nneka, live

Vodpod videos no longer available.

More? Here.

Sunday, 2/6/11

In March of 1977, when he was 49 and I was 24 (and newly married),
my father died of a brain tumor; at his funeral, this filled the air.

Ladysmith Black Mambazo, “Amazing Grace” (with “Nearer My God To Thee”)

Vodpod videos no longer available.

More?

Here (Al Green).

Here (Grandpa Elliott).

And here (Aaron Neville).

Tuesday, 2/1/11

I can’t make up my mind about the Internet.

Does it make it possible, with simply a click, to travel anywhere in the world?

Or is it just a vast collection of electronic wallpaper?

Are these the right questions?

Baloji, “Tout Ceci Ne Vous Rendra Pas le Congo” (Hotel Impala), 2007

Vodpod videos no longer available.

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lagniappe

radio

Having just completed two days of trumpeter Roy Eldridge’s music, WKCR-FM (broadcasting from Columbia University) begins a 24-hour Memorial Broadcast honoring composer Milton Babbitt, who passed away Saturday at the age of 94.

Wednesday, 1/5/11

1, 2, 3 strings—that’s all

Maalem Ben Aissa, AKA Maalem Benaissa (gumbri [aka gimbri]), live, Algieria (Algiers), 2007

#1

Vodpod videos no longer available.

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#2

Vodpod videos no longer available.

Want more? Here.

Monday, 1/3/11

Perhaps the greatest drummer who has ever lived . . .

—Brian Eno

Tony Allen

Live, “New Morning”

Vodpod videos no longer available.

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Secret Agent, 2010

Vodpod videos no longer available.

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lagniappe

When I sit down there [at the drums], that’s what I’ve been waiting for . . .

—Tony Allen

*****

reading table

The time to make up your mind about people is never!

—Tracy Lord, The Philadelphia Story

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You get to decide what to worship.

David Foster Wallace

Zadie Smith, Changing My Mind (2009), epigraphs

Tuesday, 10/19/10

recipe

3 strings

~20 hands

~10 voices

2 feet

Mix lightly; let rise.

Malem Mustafa Bakbou, gimbri; live; Gnawa lila; Morocco (Marrekech), 1990

Want more music from Morocco? Here.

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lagniappe

reading table

Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.

—Samuel Beckett, Worstword Ho (1983)

Wednesday, 10/13/10

Today, celebrating our 400th post, we revisit a few favorites.

*****

street music

Whatever it is, this guy’s got it.

(Originally posted on 8/25/10.)

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take two (or is it one?)

Following up on Vijay Iyer’s take (6/30/10), here’s the original.

M.I.A., “Galang” (2005)

One of the things I love about M.I.A. is that she doesn’t let any of the usual stuff get in her way. Take her dancing, for instance: she’s, uh, not real good at it—at least not by the usual standards. Does that stop her? Nah.

(Originally posted on 7/2/10.)

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Guitar, drums—that’s all it takes.

Bambino (AKA Bombino), live, Niger (Agadez), 2010

Part 1

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Part 2

(Originally posted on 8/9/10.)

Saturday, 10/2/10

The other night I saw these two bands—both are from Africa—at Chicago’s Logan Square Auditorium.

Kenge, Kenge (Kenya), live, Denmark (Roskilde), 2008

*****

Khaira Arby (Mali), live, Mali (Festival of the Desert), 2010

“Haidara”

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“Sourgou”

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Scribblings from the show (habit picked up reviewing live jazz for the Chicago Reader):

Kenge Kenge’s bass player at the start of their set: “We’ve been in America for the last three months. This is our last show. And we want to have some fun.”

Drum is king.

As much as I appreciate the musical experiences available via thenet, they’re no substitute for live music. Among the casualties of the technological filtering are bass and drums—this music’s heartbeat.

This stage isn’t a dividing line. It’s porous, readily penetrable in both directions. Those onstage come down and dance; those offstage go up and dance. When everybody’s dancing—onstage, offstage—the performer/audience line dissolves.

African music, live, is a full-body experience: you listen not just with your ears but with your hips, your feet.

If folks aren’t dancing, this music ain’t happening.

Kinetic elegance.

At times the dancers look as if they’re in a trance.

Lightness, buoyancy, drive: this is music that takes you in its arms, lifts you up, carries you away.