music clip of the day

jazz/blues/rock/classical/gospel/more

Month: July, 2019

Sunday, July 14th

back to church

Hamiltones, live, Houston, 2019

 

Saturday, July 13th

How about a trip to Tokyo?

Japan’s Hidden Listening Bars: SHeLTeR, 7/9/19

 

Friday, July 12th

what’s new

Santana with Buika, “Breaking Down the Door,” live, Los Angeles, 6/18/19

 

Thursday, July 11th

what’s new

Ingrid Laubrock (saxophones), Brandon Seabrook (guitar), Brandon Lopez (bass), Tom Rainey (drums), live, New York, 7/9/19

 

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lagniappe

random sights

yesterday, Chicago

Wednesday, July 10th

The more I listen to this, the more I hear.

Brian Eno, “New Space Music,” 2014

 

Tuesday, July 9th

never enough

Johann Sebastian Bach (1685-1750), Partita for keyboard No. 6, excerpt (Toccata); Glenn Gould (1932-1982, piano), live (studio)

 

Monday, July 8th

Why not begin the week with something new?

Anna Thorvaldsdottir (1977-), Fields
International Contemporary Ensemble, 2018

 

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lagniappe

reading table

Wonder – is not precisely knowing
And not precisely knowing not –

—Emily Dickinson (1830-1886), from 1347 (Franklin)

Sunday, July 7th

basement jukebox

Rev. Julius Cheeks and the Sensational Nightingales, “Standing at the Judgement” (J. Cheeks), 1959

 

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lagniappe

reading table

Sunday Morning with the Sensational Nightingales
by Billy Collins (1941-)

It was not the Five Mississippi Blind Boys
who lifted me off the ground
that Sunday morning
as I drove down for the paper, some oranges, and bread.
Nor was it the Dixie Hummingbirds
or the Soul Stirrers, despite their quickening name,
or even the Swan Silvertones
who inspired me to look over the commotion of trees
into the open vault of the sky.

No, it was the Sensational Nightingales
who happened to be singing on the gospel
station early that Sunday morning
and must be credited with the bumping up
of my spirit, the arousal of the mice within.

I have always loved this harmony,
like four, sometimes five trains running
side by side over a contoured landscape––
make that a shimmering, red-dirt landscape,
wildflowers growing along the silver tracks,
lace tablecloths covering the hills,
the men and women in white shirts and dresses
walking in the direction of a tall steeple.
Sunday morning in a perfect Georgia.

But I am not here to describe the sound
of the falsetto whine, sepulchral bass,
alto and tenor fitted snugly in between;
only to witness my own minor ascension
that morning as they sang, so parallel,
about the usual themes,
the garden of suffering,
the beads of blood on the forehead,
the stone before the hillside tomb,
and the ancient rolling waters
we would all have to cross some day.

God bless the Sensational Nightingales,
I thought as I turned up the volume,
God bless their families and their powder blue suits.
They are a far cry from the quiet kneeling
I was raised with,
a far, hand-clapping cry from the candles
that glowed in the alcoves
and the fixed eyes of saints staring down
from their corners.

Oh, my cap was on straight that Sunday morning
and I was fine keeping the car on the road.
No one would ever have guessed
I was being lifted into the air by nightingales,
hoisted by their beaks like a long banner
that curls across an empty blue sky,
caught up in the annunciation
of these high, most encouraging tidings.

Saturday, July 6th

blues for the USA

Gary Nicholson with Ruthie Foster, “God Help America” (G. Nicholson), 2018

 

Friday, July 5th

basement jukebox

Billy Stewart (1937-1970), “Sitting in the Park” (B. Stewart), 1965

 

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lagniappe

reading table

Understanding makes the mind lazy.

—Penelope Fitzgerald (1916-2000), The Bookshop