Sunday, September 10th
Aretha testifies
Live, Detroit (New Bethel Church), 1987
Aretha testifies
Live, Detroit (New Bethel Church), 1987
Need a break from listening to yourself?
Kaija Saariaho (1952-), Nocturne for solo violin (1994)
Alexi Kenney (violin), live, New York, 2016
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.***
It was a moment, what can I say.
—John Ashbery (1927-), “A Breakfast Radish,” “Domani, Dopodomani” (fragments), Breezeway (2015)
summer in the city
Blink-182, live, Chicago, 8/4/17
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
How little we know,
and when we know it!*****
We close in on ourselves,
then yelp that the world is awry.*****
We had macaroni for lunch every day
except Sunday, when a small quail was induced
to be served to us. Why do I tell you these things?
You are not even here.—”Like A Sentence,” “Tahiti Trot,” “This Room” (fragments)
another take
Morton Feldman (1927-1986; MCOTD Hall of Fame), Rothko Chapel (1971); Markus Creed (cond.), SWR Vokalensemble (Vocal Ensemble), et al., live, Germany (Cathedral of Speyer, Schwetzinger), 2017
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lagniappe
art beat: yesterday, Art Institute of Chicago
Paul Gauguin (1848-1903), Cup Decorated with the Figure of a Bathing Girl, 1887-88 (Gauguin: Artist as Alchemist, through September 10th)
*****
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
What will it all be like in five years’ time
when you try to remember?—”For John Clare” (fragment)
soundtrack to a dream
John Luther Adams (1953-), The Light Within (2007); Faculty & Fellows, Bang on a Can Summer Music Festival at the Massachusetts Museum of Contemporary Art, North Adams, Mass., 2016
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lagniappe
reading table
John Ashbery (July 28, 1927-September, 3, 2017)
The bad news is the ship hasn’t arrived;
the good news is it hasn’t left yet.—He Who Loves And Runs Away (fragment; Planisphere, 2009)
*****
random sights
this morning, Chicago (Columbus Park)
sounds of Amsterdam
Michael Vatcher, percussion (Angels’ Share, sculpture exhibition, Herbert Nouens; Westerpark, Sculpture Park), 2014
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lagniappe
reading table
John Ashbery, July 28, 1927-September, 3, 2017
Alcove (Planisphere, 2009)
Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.
old school
Bessemer Sunset Four, “Lord I’m Troubled” (1928-30)
more
They’re playing tonight.
BassDrumBone (Mark Helias, bass; Gerry Hemingway, drums; Ray Anderson, trombone), “Kinda Garnerish” (R. Anderson), live, New York, 2015
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lagniappe
reading table
though a poor-soiled
province . . .
such fireflies—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
this weekend in Chicago
They’re playing, tomorrow afternoon, at the Chicago Jazz Festival.
Mary Halvorson Octet, “Away with You (No. 55),” live, New York, 2017
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lagniappe
reading table
The rain is less an atmospheric condition at this point than a kind of state of being, like mourning, that can’t be forgotten unless you’re asleep.
—Matt Pearce, “On the road in Texas, where all the roads look like rivers,” Los Angeles Times, 8/29/17