music clip of the day

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Month: November, 2016

Thursday, November 17th

never enough

Frederic Chopin (1810-1849), 24 Preludes; Ivan Moravec (1930-2015), piano

 

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lagniappe

art beat: yesterday, Art Institute of Chicago

Utagawa Hiroshige (1797-1858), The Monkey Bridge in Winter

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*****

*Tracklist (courtesy of YouTube):

00:00 1 Agitato – C major
00:53 2 Lento – A minor
02:53 3 Vivace – G major
03:59 4 Largo – E minor
06:36 5 Molto allegro – D major
07:15 6 Lento assai – B minor
09:42 7 Andantino – A major
10:44 8 Molto agitato – F-sharp minor
12:51 9 Largo – E major
14:05 10 Molto allegro – C-sharp minor
14:42 11 Vivace – B major
15:32 12 Presto – G-sharp minor
16:47 13 Lento – F-sharp major
20:23 14 Allegro – E-flat minor
20:47 15 Sostenuto – D-flat major (“Raindrop”)
26:48 16 Presto con fuoco – B-flat minor
27:58 17 Allegretto – A-flat major
31:35 18 Molto allegro – F minor
32:28 19 Vivace – E-flat major
33:51 20 Largo – C minor
35:24 21 Cantabile – B-flat major
37:22 22 Molto agitato – G minor
38:12 23 Moderato – F major
39:10 24 Allegro appassionato – D minor

Wednesday, November 16th

After such a staggeringly noisy and ugly election season, how about something quiet and beautiful?

Bill Evans Trio (BE [1929-80], piano; Chuck Israels, bass; Larry Bunker, drums), “My Foolish Heart” (V. Young), live, Sweden, 1964


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lagniappe

random sights

this morning, Oak Park, Ill.

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Tuesday, November 15th

two takes

“I Love You More Than You’ll Ever Know” (A. Kooper)

Donny Hathaway (1945-79), 1973


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Amy Winehouse (1983-2011), live


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lagniappe

random sights

this morning, Oak Park, Ill.

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Monday, November 14th

never enough 

Miles Davis (with Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), live, Italy (Milan), 1964*


Listening to Tony Williams never fails to leave me feeling lighter.

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lagniappe

art beat: other day, Art Institute of Chicago

Arshile Gorky (1904-1948), The Plough and the Song, 1946-47

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*****

*Setlist (courtesy of YouTube):

1. Autumn Leaves 0:43
2. My Funny Valentine 14:34
3. All Blues 26:22
4. All of You 40:03
5. Joshua 50:41

Sunday, November 13th

old school

Gospelaires of Dayton, Ohio, “Feel the Spirit,” live, Europe, 1966


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lagniappe

random sights

this morning, Chicago (Columbus Park)

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*****

reading table

Talk is a way of not looking.

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Nothing speaks for itself.

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Most of the people you know are almost mad.

—Ann Lauterbach (1942-), Many Times, But Then (1979), fragments (“Then Suddenly,” “The White Sequence”)

Saturday, November 12th

passings

Leonard Cohen, songwriter, singer, poet, novelist, Zen Buddhist monk
September 21, 1934-November 7, 2016

With Sonny Rollins (tenor saxophone), “Who By Fire,” 1989


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“Closing Time,” 1992


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“Everybody Knows,” 2014


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“You Want It Darker,” 2016


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lagniappe

random sights

yesterday, Oak Park, Ill.

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Friday, November 11th

two takes 

“I Hate to See You Go” (AKA “Hate to See You Go”) (W. Jacobs)

Rolling Stones, Blue & Lonesome, 2016


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Little Walter, 1955

 

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lagniappe

art beat: other day, Art Institute of Chicago

Vasily Kandinsky (1866-1944), Painting with Green Center, 1913

Painting with Green Center

*****

reading table

BRIDGEPORT, CT—Thinking back on how happy and untroubled he had been during that time and how different he feels in the present day, local man Jason Moulton, 52, reportedly paused Wednesday and nostalgically recalled the simpler era of 20 hours ago. “Everything seemed so much brighter back then before 9 p.m. last night—nothing like the way things are now,” said Moulton, wistfully reflecting on how, back before yesterday evening, things had seemed to make sense and the future appeared to hold endless promise. “America was a different place all those hours ago. Things were safer then, and the economy was strong—it was just a better time. But it’s all gone downhill ever since. We just don’t have the same values anymore.” Moulton then reportedly shook his head and said that while he would love for the country to get back to the good old days of November 8 and earlier, realistically he knew that would never happen.

The Onion, “Man Nostalgic For Simpler Era Of 20 Hours Ago,” 11/9/16

 

Thursday, November 10th

serenade to the President-elect

Public Enemy, “Ball of Confusion”/”Arizona”/”Fight the Power,” live, Australia (Sydney), 2008


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lagniappe

art beat: early September, Whitney Museum of American Art (New York)

Danny Lyon (1942-), Arrest of Taylor Washington, Atlanta, 1963

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Wednesday, November 9th

more

Toru Takemitsu (1930-1996), Rain Tree Sketch II (1992); Hélène Grimaud (piano), live, Water, 2016


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lagniappe

art beat: other day, Art Institute of Chicago

Vasily Kandinsky (1866-1944), Landscape with Two Poplars, 1912

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Tuesday, November 8th

like nobody else

Bob Dorough (1923-), “Devil May Care” (B. Dorough), live (studio performance), Newark, N.J., 2015


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lagniappe

random sights

yesterday, Oak Park, Ill.

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*****

baseball: Chicago Cubs

Whether staring and suffering, or grinning and hugging and high-fiving, fans become generic in every World Series. But I remember Cubs fans differently from my sporadic visits to the sunlit Confines in those lean years. They loved their Cubs and yearned for better times, but cheered without irony for every good or great play by the visiting team. It was the game they loved above all.

We will see these youthful champions in the post-season for years to come, I believe. Their infield has a combined age of ninety-six—my own age, as it happens—as good a young bunch as I can recall. Bryant, the third baseman and coming National League M.V.P., goes six feet five and bats from a spread-legged crouch that expands magically into a sudden tall tree with the skyward bat at its top. He’s also swift. That sprint of his around the bases from first reminded you of a clip from the Olympics. The shortstop, Addison Russell, who is twenty-two, batted in six runs in Game 6. Báez, at second, patrols his environs with a feline muscularity. Twenty-seven-year-old Anthony Rizzo, the first baseman, bats left, and may prove to be the best of the quartet—with any luck, a future Hall of Famer whose best years await us.

—Roger Angell, New Yorker, 11/3/16