Thursday, November 20th
alone
Masayoshi Fujita, “Snow Storm,” 2012
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lagniappe
reading table
early winter seclusion—
whose thin smoke
over there?—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
alone
Masayoshi Fujita, “Snow Storm,” 2012
**********
lagniappe
reading table
early winter seclusion—
whose thin smoke
over there?—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
tonight in Chicago
These guys will be playing at Constellation.
Frode Gjerstad Trio (FG, reeds; Jon Rune Strøm, bass; Paal Nilssen-Love, drums)
Live, Poland (Poznan), 2012
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Live, New York, 2012
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lagniappe
random thoughts
What’s surprising isn’t that we die: it’s that we live.
four takes
“Lulu’s Back In Town” (A. Dubin, H. Warren)
Fats Waller (studio recording), 1935
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Art Tatum (live), 1935
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Thelonious Monk (live, Paris; Charlie Rouse [tenor saxophone], Larry Gales [bass], Ben Riley [drums]), 1966
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Jason Moran (live, New York [East Village apt.]), 2011
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lagniappe
art beat
Helen Levitt (1913-2009), New York, c. 1940
sounds of Niger
Group Inerane, live, Scotland (Glasgow), 2011
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lagniappe
art beat: yesterday afternoon, Rito y Recuerdo: Day of the Dead, National Museum of Mexican Art (1852 W. 19th St., Chicago; through December 14th)
*****
onstage: last night, Happy Days (Samuel Beckett), Theatre Y (2649 N. Francisco Ave., Chicago; through November 23rd)
Sometimes I hear sounds. But not often. They are a boon, sounds are a boon, they help me . . . through the day. The old style! Yes, those are happy days, when there are sounds. When I hear sounds.
—Winnie
sounds of Chicago
Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014
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lagniappe
musical thoughts
Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.
After spending a week and a half in federal court, trying a drug-conspiracy case involving the unfortunately named Imperial Insane Vice Lords, I’m ready for a world without words.
Morton Feldman (1926-1987), For Stefan Wolpe (1986)
Helsinki Chamber Choir, live, Helsinki, 2014
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lagniappe
art beat: more from the other day at the Art Institute of Chicago
Wassily Kandinsky (1866-1944), Improvisation No. 30 (Cannons), 1913