music clip of the day

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Month: January, 2013

Monday, 1/21/13

last night

I went back to Northwestern’s Pick-Staiger Hall—they’re in the midst of a Winter Chamber Music Festival—where I heard this string quartet, along with this clarinetist, play this piece.

Aaron Jay Kernis (1960-), Perpetual Chaconne (2012); Calder Quartet with John Bruce Yeh (clarinet), 2012

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lagniappe

musical thoughts

When we go out to hear live music, we realize, again, something that seldom occurs to us when we listen at home: the world, in its messy unpredictability, its insistent particularity, is way more interesting than we are.

*****

the music of words

Martin Luther King, Jr., Shreveport, La. (Galilee Baptist Church), 1958

Sunday, 1/20/13

two minutes of joy

I’m gonna sing while I’m here . . .

Bessie Jones (1902-1984), “So Glad I’m Here”

Saturday, 1/19/13

last night

I heard these folks at Northwestern University’s Pick-Staiger Concert Hall, where they played another piece by this composer (Last Round), a MacArthur “genius” grant recipient.

Osvaldo Golijov, Tenebrae; A Far Cry, Boston, 2011

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lagniappe

Here’s another take (four players, no conversation).

*****

musical thoughts

Nobody sits down and thinks, “I’m going to create some classical music.”

Friday, 1/18/13

three takes

“Driving Wheel,” AKA “Driving Wheel Blues” (R. Sykes)

Buddy Guy & Junior Wells (BG, guitar; JW, harmonica and vocals; Jimmy Johnson, guitar; Dave Myers, bass; Odie Payne, drums), live, Portugal (Algarve Jazz Festival), 1978

*****

Junior Parker, 1961

*****

Roosevelt Sykes, 1936

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lagniappe

reading table

[I]t is out of adolescents who last a sufficient number of years that life makes old men.

—Marcel Proust, Finding Time Again (translated from French by Ian Patterson)

Thursday, 1/17/13

sui generis

DJ/rupture (turntables) & Andy Moor (guitar), “Hot Pink Version”; recorded in France (Orleans), 2007; photos by Andy Moor

Wednesday, 1/16/13

Toru Takemitsu (1930-1996), And then I knew ’twas wind (1992)
Aureole Trio, New Hampshire (Monadnock Music), 2011

My life sometimes seems to consist of a series of trips, back and forth, between the sublime and the wretched. Yesterday afternoon, for instance, I stumbled upon this—a piece I’d never heard before—during a break from work. What was I working on? An oral argument I’ll be presenting this morning before a three-judge panel of the federal court of appeals in Chicago, on behalf of a guy, now in his mid-50s, who spends each day, as he has for decades, in a cell about 45 miles southwest of the city, where he’s serving a sentence of “natural life.”

Tuesday, 1/15/13

Listening to his stuff, which I’ve been doing for over thirty years, is like eating a particular fruit, a strawberry, say, or a plum—there’s nothing else like it.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1

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#2

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#3

Monday, 1/14/13

John Cage, Third Construction (1941)
So Percussion

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lagniappe

musical thoughts

Is anything more familiar—or mysterious—than sound?

Sunday, 1/13/13

another take

Rev. Claude Jeter, Shirley Caesar, The Dixie Hummingbirds, Take Six, et al., “Mary, Don’t You Weep,”* TV show (Night Music), 1989

*David Sanborn is overly generous in his introduction. Claude Jeter may be responsible for this arrangement, but he certainly didn’t write the song. Folks were singing it before he was born.

Saturday, 1/12/13

the other night

Clarity.

Power.

Spaciousness.

Immediacy.

There is nothing in this world—nothing at all, not even remotely—like hearing a great orchestra live, as I was reminded Thursday night as I sat in Chicago’s Symphony Center (across the street from the Art Institute) with my son Alex, listening to this played by the Chicago Symphony Orchestra, along with Beethoven’s Leonore Overture No. 1 and Piano Concerto No. 1 (with pianist Radu Lupu).

Ludwig van Beethoven, Symphony No. 3 (Eroica)

Philadelphia Orchestra with Riccardo Muti (cond.), live, c. late 1980s

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NBC Orchestra with Arturo Toscanini (cond.), recording, 1939