music clip of the day

jazz/blues/rock/classical/gospel/more

Month: August, 2012

Saturday, 8/11/12

Sometimes what you’re looking for—when, say, your hard drive crashes (as mine just did)—is something where not much seems to happen, beautifully.

John Luther Adams, “The Farthest Place” (2001); piano (Clint Davis), vibraphone (Brian Archinal & Andy Bliss) bass (Satoru Tagawa), violin (Lydia Kabalen); University of Kentucky (Lexington), 2008

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lagniappe

There are all kinds of music.

Gerard Manley Hopkins, “The Leaden Echo and the Golden Echo”
Richard Burton

Friday, 8/10/12

summer in the city

The Black Keys, Lollapalooza, Chicago (Grant Park), 8/3/12

“Howlin’ For You”

***

“Little Black Submarines”

***

“Lonely Boy”

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lagniappe

musical thoughts

What, if anything, does it mean that, in the year 2012, not one but two of the headliners at Lollapalooza—Jack White and the Black Keys—are deeply influenced by blues?

*****

reading table

Life had begun to demand lies in order to be workable.

***

At the crest of the hill where the road went up, was an abandoned house, and beyond it the road disappeared off into the blue sky.

***

It’s odd, though, what makes you think about the truth. It’s so rarely involved in the events of your life. I quit thinking about the truth for a time then. Its finer points seemed impossible to find among the facts. If there was a hidden design, living almost never shed light on it.

—Richard Ford, Canada (2012)

Thursday, 8/9/12

Mozart, Piano Sonata No. 18 in D. major, K. 576 (1789)
Mitsuko Uchida, piano

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lagniappe

musical thoughts

Listening to Mozart is like entering a room where the walls, the ceiling, even the floor are made entirely of glass.

Wednesday, 8/8/12

summer in the city

Grimes, “Circumambient”
Pitchfork Music Festival, Chicago (Union Park), 7/14/12

***

Here’s another take (Visions, 2012).

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lagniappe

Grimes goes record shopping (Amoeba Music, Los Angeles [Hollywood], 2012).

There’s a reason, I’m coming to realize, why so many pop musicians these days look young enough to be my children—they are.

Tuesday, 8/7/12

favorites

“La-La (Means I Love You)” (T. Bell & W. Hart)

Bill Frisell (guitar) with Tony Scherr (bass) & Kenny Wollesen (drums), live, Rochester (NY), 2007

(Originally posted 5/28/10.)

***

The Delfonics, 1968

(Originally posted 2/14/12.) 

Monday, 8/6/12

summer in the city

Jack White, “Take Me With You When You Go”
Lollapalooza, Chicago (Grant Park), 8/5/12

Sunday, 8/5/12

Who wouldn’t want to go to such a heaven?

Soul Stirrers (feat. Jimmy Outler), “Listen to the Angels Sing,” TV show, early 1960s

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lagniappe

listening room: (some of) what’s playing

• The Dirtbombs, Ultraglide in Black (In the Red)

• Robert Glasper Experiment, Black Radio (Blue Note)

• Shabazz Palaces, Black Up (Sub Pop)

Terrie Ex, Paal Nilssen-Love, Hurgu! (PNL Records)

• Anthony Braxton Quintet (Basel) 1977 (hatOLOGY)

• Miles Davis, Live in Europe 1967 (Sony Legacy)

• ICP Orchestra Performs Herbie Nichols & Thelonious Monk (ICP)

• George Lewis & The NOW Orchestra, The Shadowgraph Series: Compositions for Creative Orchestra (Spool)

• Misha Mengelberg, Steve Lacy, Goerge Lewis, Harjen Gorter, Han Bennink, Change of Season (Soul Note)

• Pharaoh Sanders, Karma (Impulse!)

• Charles “Bobo” Shaw & Lester Bowie, Bugle Boy Bop (Muse)

• Reverend Claude Jeter, Yesterday and Today (Shanachie)

 This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM (1957-1982) (Tompkins Square)

• J. Berg’s A Cappella Archives (Vol. 3)Royal Rarities (Vol. 3) (Rare Gospel)

Congotronics 2: Buzz ’n’ Rumble in the Urb n’ Jungle (Crammed Discs)

• Pandit Pran Nath, Midnight: Raga Malkauns (Just Dreams)

• Nikhil Banerjee, Afternoon Ragas  (Bhimpalasri, Multani) (Raga Records)

• John Luther Adams, Songbird Songs (Mode Records)

• John Luther Adams, Clouds of Forgetting, Clouds of Unknowing (New World Records)

• John Cage Edition—Vol. 23: The Works for Violin 4 (Irvine Arditti, violin; Stephen Drury, piano) (Mode Records)

• Morton Feldman, Trio  (Aki Takahashi, piano; Marc Sabat, violin; Rohan de Saram, cello) (Mode Records)

• Tristan Murail, Gondwana, Desintegrations, Time and Again (Disques Montaigne)

• Peter Serkin Plays the Music of Toru Takemitsu (RCA/BMG)

• The Incomparable Rudolf Serkin (Beethoven, Piano Sonatas Nos. 30, 31, 32) (Deutsche Grammophon)

• WKCR-FM (broadcasting from Columbia University)

Bird Flight (Phil Schaap, jazz [Charlie Parker])
Eastern Standard Time (Carter Van Pelt, Jamaican music)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Cherry Blossom Clinic (Terre T, rock, etc.)
Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
Downtown Soulville (Mr. Fine Wine, soul, etc.)

Saturday, 8/4/12

One click of the computer and thousands of miles disappear.

Baro, Guinea, 2010

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lagniappe

radio

Today, Louis Armstrong’s real birthday (as determined, many years after his passing, by New Orleans music historian Tad Jones), my ears will be tuned to WKCR-FM (broadcasting from Columbia University), which will be all Pops, all day.

Friday, 8/3/12

only rock ’n’ roll

Pussy Riot, “Punk Prayer,”* Russia (Moscow), 2012

After enduring five months of delays and attracting worldwide attention, the Pussy Riot trial finally began in Moscow this week. But what is Pussy Riot? Why is it on trial? What is Moscow? All your questions will be answered here.

What is Pussy Riot?

Pussy Riot is a Russian punk collective founded in September of last year in the wake of Vladimir Putin’s announcement that he would seek election for a third presidential term. (Putin, currently the prime minister, stepped down from the presidency in 2008 due to limits on serving consecutive terms; the current president, Dmitri Medvedev, is a Putin ally.) “[A]t that point,” Pussy Riot’s Serafima (members use pseudonyms) told Vice in February, “we realized that this country needs a militant, punk-feminist, street band that will rip through Moscow’s streets and squares, mobilize public energy against the evil crooks of the Putinist junta and enrich the Russian cultural and political opposition[.]”

Okay, but… what do they do?

I mean, what have punks ever done? Mostly the women of Pussy Riot wear colorful clothes and balaclavas and stage Situationist-style guerrilla performances in public spaces like the Red Square. It was one such performance — a “punk prayer” called “Our Lady, chase Putin out,” undertaken in Moscow’s Christ the Savior Cathedral — that got three of the group’s members in so much trouble.

What happened?

On February 21, Five Pussy Rioteers took to the church’s altar and performed a mock prayer, begging the Virgin Mary to chase Putin out of power. They lasted about 30 seconds before being removed by security guards, and the footage was later used in a music video, which you can see here.

That’s it? [Rolls eyes.]

Well, where the U.S. has successfully neutralized the protest possibilities of punk rock through a careful combination of commodification and fashionable cynicism, Russia doesn’t fuck around: two weeks after the prayer, three women in Pussy Riot — Nadezhda Tolokonnikova, Mariya Alekhina and Yekaterina Samutsevich — were arrested and charged with hooliganism, which can carry a sentence of up to seven years. They’ve been languishing in jail since then, denied bail and waiting through several delays; two of the women are mothers and haven’t seen their young kids since the arrest.

Holy shit.

Yeah. Who’s punk rock now, huh? Their lawyers say they’ve been denied food and sleep; today, a doctor had to be called when Alekhina became sick in court. The prosecutor is making all kinds of nutty accusations, according to The New Yorker‘s Masha Lipman:

In an interview, one said that the incident could “soon escalate into events comparable to the explosion of the twin towers on September 11th in America… It was proven that the act had been committed not by the American government or by the C.I.A. but by forces above them. For instance, all the employees of the shopping center” — the lawyer referred to the W.T.C. as torgovy tsentr, the Russian for “mall” — had been informed through secret masonic channels that they should not report to work on September 11th.” When the interviewer asked, “Do you mean that the Pussy Riot act and the terrorist attack in the U.S. were organized by the same people?,” the lawyers responded, “In the first instance it was a satanic group, and in the second it was the global government. But at the highest level both are connected-by Satan.” Who else?

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So what happens next?

The trial will last a couple of weeks. All three women have pleaded not guilty; at worst, they could be sentenced to seven years in prison.

—Max Read, Gawker, 8/2/12

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*Lyrics (English translation, courtesy of YouTube):

(Chorus)

St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)

Black robe, golden epaulettes
All parishioners are crawling and bowing
The ghost of freedom is in heaven
Gay pride sent to Siberia in chains

The head of the KGB is their chief saint
Leads protesters to prison under escort
In order not to offend the Holy
Women have to give birth and to love

Holy shit, shit, Lord’s shit!
Holy shit, shit, Lord’s shit!

(Chorus)
St. Maria, Virgin, become a feminist
Become a feminist, Become a feminist
(end chorus)

Church praises the rotten dictators
The cross-bearer procession of black limousines
In school you are going to meet with a teacher-preacher
Go to class – bring him money!

Patriarch Gundyaev believes in Putin
Bitch, you better believed in God
Belt of the Virgin is no substitute for mass-meetings
In protest of our Ever-Virgin Mary!

(Chorus)
St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)

Thursday, 8/2/12

How ’bout a little trip to Mississippi?

David Moore, Rosedale, Mississippi, 2012