music clip of the day

jazz/blues/rock/classical/gospel/more

Month: March, 2012

Friday, 3/16/12

only rock ’n’ roll

What’s old is new again.

Alabama Shakes, live
Pegasus Records, Florence, Alabama, 8/21/11

“I Found You”

***

“Hold On”

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lagniappe

Just Like Being There (2012)

Thursday, 3/15/12

Too much beauty in your life?

Well, I guess you can skip this.

Shivkumar Sharma, santoor
Hariprasad Chaurasia, bansuri (bamboo flute)
Raga Bhoopali, live, India (Mumbai), 1995 (music begins at 3:55)

More Pandit Sharma? Here.

More Pandit Chaurasia? Here.

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lagniappe

reading table

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that’s what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.

—Jack Gilbert, “A Brief for the Defense” (Collected Poems, 2012)

Wednesday, 3/14/12

what’s new

Nneka, “Soul Is Heavy” (Soul Is Heavy, 2/12)

More? Here. And here.

Tuesday, 3/13/12

Music doesn’t care who you are, where you come from, what you know. It asks only that you pay attention.

Stefan Wolpe (1902-1972), Piece in Three Parts for Piano and Sixteen Instruments (1961), Peter Serkin (piano), Chamber Music Society of Lincoln Center (Oliver Knussen, cond.)

More? Here.

Monday, 3/12/12

Some folks, seeking communion and transcendence, go to church. Others go hear hip-hop.

Yasiin Bey (formerly known as Mos Def) & Talib Kweli
Live, Paris, 3/9/12

More? Here. And here. And here. And here. And here.

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lagniappe

reading table

[I]t has been only in the past decade that we appear to have entered an aura-free universe in which all eras coexist at once—a state of possibly permanent atemporality given to us courtesy of the Internet. No particular era now dominates. We live in a post-era era without forms of its own powerful enough to brand the times. The zeitgeist of 2012 is that we have a lot of zeit but not much geist.

—Douglas Coupland, New York Times Book Review (on-line, 3/8/12; print, 3/11/12)

Sunday, 3/11/12

Need a lift?

You’ve come to the right place.

Slim and the Victory Aries, live, Paducah, Kentucky, c. 2008

“Alright Now”

***

“Shoes”

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lagniappe

musical thoughts

[I]n the African-American gospel tradition, the music is the liturgy. . . . If Jesus spoke in parables because it was hard, otherwise, for him to make clear what he intended, gospel music has a similar form, a parabolic form, as if to suggest: what we want you to know about God is in the shape of this statement, in the experience of singing this music and listening to this music. If you can be transported here, inside the church, by this music, you can be transported out there.

—Rick Moody, “Gospel For Beginners”

Saturday, 3/10/12

Happy (109th) Birthday, Bix!

How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.

Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928

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lagniappe

found words

A distinctive psychiatric hospital

—advertisement, New Yorker, 3/5/12

Friday, 3/9/12

Happy (82nd) Birthday, Ornette!

Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010

Part 1

***

Part 2

***

Part 3

***

Part 4

***

Part 5

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lagniappe

radio

WKCR-FM (Columbia University): all Ornette, all day.

Thursday, 3/8/12

John Cage, Two (1987)

Live, Netherlands (Amsterdam), 2009
Dante Boon (piano), Rutger van Otterloo (soprano saxophone)

*****

Recording, 1991 (hat Art)
Marianne Schroeder (piano), Eberhard Blum (flute)

More? Here. And here.

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lagniappe

musical thoughts

Every something is an echo of nothing.

—John Cage, Silence (1961)

Wednesday, 3/7/12

what’s new

Grimes, “Genesis”

Recording, Visions, 2/12

*****

Live, San Francisco (The Sub), 5/11

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lagniappe

found words

Your password will expire after 9999 day(s).

—message from my health club, after registering at their website