music clip of the day

jazz/blues/rock/classical/gospel/more

Month: December, 2011

Wednesday, 12/21/11

La Monte Young, The Well-Tuned Piano

Part 1

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Part 2

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Part 3

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Part 4

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Part 5

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lagniappe

Minimalism proper begins with La Monte Young, the master of the drone. He was born in 1935 in a tiny dairy community in Idaho, and spent his childhood listening to the secret music of the wide-open landscape—the microtonal chords of power lines, the harsh tones of drills and lathes, the wailing of far-off trains, the buzzing songs of grasshoppers, the sound of the wind moving over Utah Lake and whistling through the cracks of his parents’ log cabin. In 1940 he moved to Los Angeles with his family. As he later said, he fell in love with California’s ‘sense of space, sense of time, sense of reverie, sense that things could take a long time, that there was always time.’

—Alex Ross, The Rest Is Noise: Listening to the Twentieth Century (2007)

Tuesday, 12/20/11

kaleidoscopic, adj. 1. changing form, pattern, color, etc., in a manner suggesting a kaleidoscope. 2. continually shifting from one set of relations to another. E.g., Azealia Banks’ “212” (2011).

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lagniappe

reading table

In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication into a single, homogeneous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.

—Italo Calvino, Six Memos for the Next Millennium (1988 [trans. Patrick Creagh])

Monday, 12/19/11

Rebirth Brass Band, Treme Sidewalk Steppers Parade, New Orleans, 2/6/11

If there’s a God, He loves parades.

More? Here. And here. And here. And here. And here.

Sunday, 12/18/11

It’s our lucky day. Down on the corner there’s a guy with a little guitar amp who just finished setting up. Let’s listen.

Rev. Billy H. Grady, “Holy Rock” (1965)

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lagniappe

reading table

Going too fast for myself I missed
more than I think I can remember

almost everything it seems sometimes
and yet there are chances that come back

that I did not notice when they stood
where I could have reached out and touched them

this morning the black shepherd dog
still young looking up and saying

Are you ready this time

—W. S. Merwin, “Turning”

Saturday, 12/17/11

Happy (Belated) 103rd Birthday, Elliott!

Elliott Carter, composer, December 11, 1908-

The other night I put this on, thinking I’d do something else while it played; but, as it turned out, “something else” had to wait.

String Quartet No. 2 (1959), Composers Quartet

More? Here. And here.

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lagniappe

Juilliard String Quartet with Elliott Carter, 2008
Rehearsing String Quartet No. 5

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musical thoughts

Mr. Carter has written 15 new works since his 100th birthday.

—Allan Kozinn, New York Times, 12/13/11

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Haydn, Beethoven, Schubert, Webern, Bartok, Shostakovich, Carter, et al.: you could spend the rest of your life listening to nothing but string quartets without ever feeling deprived.

Friday, 12/16/11

only rock ’n roll

Happy Refugees, “What’s Your Appeal”
Live, New York (Cake Shop), 12/10/11

More? These guys recently did a live studio performance at WFMU-FM (The Cherry Blossom Clinic with Terre T), which can be heard here.

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lagniappe

art beat: Tuesday at the Art Institute of Chicago (after a hearing at the nearby federal court building)

George Inness (1825-1894), Early Morning, Tarpon Springs (1892)

Thursday, 12/15/11

mysterious, adj. exciting wonder, curiosity, or surprise, while baffling efforts to comprehend or identify. E.g., the string quartet music of Anton Webern.

Anton Webern (1883-1945), Five Movements for String Quartet, Op. 5
Penderecki String Quartet, live
Falls Village, Connecticut (Music Mountain), 2010

Part 1

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Part 2

More? Here.

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lagniappe

musical thoughts

Ignorance has a big upside: the more music you’ve never heard, the more there is to discover.

Wednesday, 12/14/11

What I get from this guy I can’t quite put my finger on. But I do know this:
I don’t get it anywhere else.

 Arthur Russell (1951-1992), singer, songwriter, cellist

“You And Me Both”

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“This Is How We Walk on the Moon”

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“That’s Us/Wild Combination”

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Terrace of Unintelligibility, live studio performance, 1985

Part 1

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Part 2

(First three clips originally posted 11/23/09.)

Tuesday, 12/13/11

two takes

Rock ’n roll, like blues, is for old folks too.

Dick Dale (guitar, 1937-), “Nitro”

Live (radio broadcast, KEXP-FM [Seattle]), 12/11/09

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Recording and Video, 1993

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lagniappe

I make my guitar scream with pain or pleasure or sensuality. It makes people move their feet and shake their bodies. That’s what music does.

Dick Dale

Monday, 12/12/11

Maybe everything in your life would be better—or at least seem better—
if only you had more banjo.

Sam Amidon, “As I Roved Out” (trad.), live, Austin (SXSW), 2011